Flemish, 1540-1619 Flemish painter and draughtsman, active in Italy. In 1556-7 he was inscribed in the registers of the painters' corporation in Antwerp as a pupil of the landscape painter Kerstiaen van Queboorn (1515-78). Calvaert went to Bologna c. 1560, where he was to remain for the rest of his life. There he came under the protection of the influential Bolognini family and entered the workshop of Prospero Fontana the elder. After about two years he left Fontana to work with Lorenzo Sabatini, with whom he collaborated on several pictures, including the Holy Family with the Archangel St Michael (Bologna, S Giacomo Maggiore) and an Assumption (Bologna, Pin. N.). Calvaert's oeuvre is composed almost exclusively of religious works, ranging in size from vast altarpieces to small devotional pictures on copper. This sets him apart from other Netherlandish painters, notably those of the school of Prague, for whom Classical mythology was a constant source of inspiration. His first signed and dated work was Vigilance (1568; Bologna, Pin. N.); thereafter he developed a more original style, as in the Noli me tangere (Bologna, Pin. N.).   Related Paintings of Calvaert, Denys :. | A Woman playing a Theorbo to Two Men | Flowering Pear-Tree | Landscape with farms | Sizilianische Vesper | Stein on the Danube with Terraced Vineyards |
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franz schubert
Period: Romantic (1820-1869) Country: Austria Born: January 31, 1797 in Vienna, Austria Died: November 19, 1828 in Vienna, Austria Genres: Chamber Music, Choral Music, Concerto, Keyboard Music, Miscellaneous Music, Opera, Orchestral Music, Symphony, Vocal Music
Geertgen Tot Sint Jans
Netherlandish Northern Renaissance Painter, ca.1460-1490 Geertgen tot Sint Jans is also known as Geertgen van Haarlem, Gerrit van Haarlem, or Gerrit Gerritsz.[citation needed] Alternative spellings of his first name are Gheertgen, Geerrit, and Gheerrit, where G(h)eertgen is the diminutive form of G(h)eerrit. Presumably, he was born in Leiden, then in the Burgundian Netherlands in the Holy Roman Empire, around the year 1465. The assignment of Leiden as his birth place is traceable to a 17th century print by Jacob van Matham. There is no known archival evidence for this claim by Jacob van Matham. The modern acceptance of Leiden as Geertgen's birth place is roughly traceable to Johann Kessler's dissertation of 1930. Probably, Geertgen was a pupil of Albert van Ouwater, who was one of the first oil painters in the northern Low Countries. Both painters lived in the city of Haarlem. Geertgen was attached to the monastery of the Knights of Saint John, for whom he painted an altarpiece. Although Geertgen was not a member of the Order of Saint John, his last name "tot Sint Jans" was derived from the order's name and means "unto Saint John". Geertgen died in Haarlem, then the Habsburg Netherlands in the Holy Roman Empire, around the year 1495, when he was approximately 28 years old. He was buried in the monastery of the Knights of Saint John. Modern scholars have attempted to calculate the artist's death date with the information from The Painting-Book (Middle Dutch: Het Schilder-Boeck) by Karel van Mander, published in 1604. There are some archival traces that suggest he may in fact have lived into the 16th century.
COXCIE, Raphael
Flemish painter (b. 1540, Mechelen, d. 1616, Brussels).